Just over a year ago we revisited the case of Julius and Ethel Rosenberg, who were executed as spies in 1953. Back then, their case attracted worldwide attention, both because of the seriousness of the charge – they had played a key role in delivering the secrets of the atom bomb to the Soviet Union, an action that entirely altered the balance of power on planet Earth – and because they were a married couple with two children. More than a few Americans were eager to see them pay the ultimate price for what was, unquestionably, treason; others opposed their execution, either because of a defensible opposition to the death penalty, or to the idea of making orphans of two small boys, or, less justifiably, because they actually viewed the Rosenbergs’ crimes as insignificant, or believed them (despite all the evidence to the contrary) to be innocent, or even, in a great many cases, because they regarded Julius and Ethel as heroes precisely because they were secret agents for Stalin.

The notion that the Rosenbergs were heroes – or, at least, that Ethel, the junior partner in the spy operation, could somehow be regarded as a heroine – was a major animating tenet of the American far left for many decades after the couple’s execution, and endures to this day. (In Angels in America, Tony Kushner turns Ethel into a veritable saint.) The notion has even survived the opening of archives that have provided absolute proof of the Rosenbergs’ activities on behalf of the Kremlin. In 2011, faced with this mounting evidence, one of the Rosenbergs’ sons, Robert Meeropol, broke down and acknowledged his father’s guilt, while reasserting his mother’s innocence; but at the same time he expressed pride in both of them, saying that they had “acted with integrity, courage and in furtherance of righteous ideals.” Needless to say, those ideals, as Rosenberg expert Ronald Radosh pointed out at the time, included “forced collectivization of the land, the murder of hundreds of thousands, [and] the establishment of the Gulag.”

In October of last year, in yet another example of the continuing far-left compulsion to idealize one or both of the Rosenbergs, the New York City Council issued a proclamation honoring Ethel on what would have been her hundredth birthday, praising her “bravery,” and identifying her as a victim of “anti-Communist hysteria.” As we observed at the time, such actions are the work of people who “still speak of anti-Communism almost as if there was no such thing as Communism itself. In their rhetoric, the terror of life under Stalin dissolves; the Gulag disappears; the Iron Curtain evaporates. And all that is left is Americans’ apparently baseless ‘hysteria.’”

Unsurprisingly, the same people on the far left who have persisted in viewing the Rosenbergs as heroes have also depicted the Rosenbergs’ sons as victims. And, yes, they were victims – of their parents’ fanatical devotion to an evil ideology. But the aim on the far left has always been to paint them as victims of a vengeful, heartless America, of “anti-Communist hysteria,” of anti-Semitism, and of other systematic societal ills purportedly afflicting the West. The most notable instance of this effort has been E. L. Doctorow‘s 1971 novel, The Book of Daniel, whose memory-haunted title character is based on the Meeropol boys; the novel’s manifest objective is to blame the young protagonist’s woes not on the boy’s Communist parents but on their capitalist executioners.

The spin continues. On October 16, 60 Minutes broadcast a segment featuring both Rosenberg sons. The title, “Finding Refuge,” suited the segment’s angle: it was less an objective report on the facts of the Rosenberg case than yet another effort to whip up public sympathy for Michael and Robert Meeropol. The boys (who are now elderly men) admitted that after decades of insisting on their parents’ innocence, they finally came to accept that their father, at least, was a full-fledged spy. But this doesn’t bother them: as one of the sons said, he finds it “more palatable” to see his parents not as victims but as politically committed people who acted on their beliefs.

Now, pause for a moment and reflect on that statement. If the son of a couple of long-dead Nazis had spoken in this admiring way about their “commitment,” you can bet that Anderson Cooper would have responded on-camera by sharply challenging the idea that there could be anything “palatable” whatsoever about Nazism. But Cooper let that one pass by without a challenge, reminding us that while (of course) admiring Hitler is universally recognized as utterly appalling, in the corridors of Western media power it’s still considered acceptable to admire people for their unwavering dedication to Stalin.

During his interview with the Meeropol brothers, Cooper reminded them of what the judge in their parents’ case had said: “The Rosenbergs loved their cause more than their children.” Cooper characterized this as “a very cruel thing to say.” No; it was a plain and simple fact. As Radosh, who was also interviewed on the program, underscored, the U.S. government did not want to have to electrocute the Rosenbergs: it was trying to use the threat of execution to pressure them to provide information about their spy network. But they wouldn’t talk. Their loyalty to their comrades – to their fellow acolytes of Stalinist totalitarianism, and, of course, to Stalin himself – was greater than their loyalty to their children. That, not the judge’s statement, was the cruel element in this story. Plainly – and, perhaps, understandably – the Meeropol brothers are still unable to accept the terrible reality that their parents loved Stalin more than them. They still insist on seeing themselves as the victims of their parents’ executioners; in fact they are the victims of nothing other than the breathtaking power of useful stoogery.