On Tuesday we discussed Israeli actress Gal Gadot’s plans to make a movie about the romance between ABC correspondent Lisa Howard and Cuban chieftain Fidel Castro. As we noted, they met for the first time in a Havana nightclub in 1963. A few months later, they met in a hotel room in the same city. The boy kissed the girl. They went to bed together. But Fidel chose not to go all the way.
And of course that restraint was what did it. She was in love. Head over heels, the ABC correspondent sent the dictator a schoolgirlish letter in which she assured him that while some people viewed him as a “tyrant,” she could see that although he had indeed “destroyed thousands” of Cubans, he had not really “meant to hurt” anybody. Indeed, she had recognized that he possessed a “spark of divine fire,” a “humanity,” a “compassion,” a “deep knowledge and sense of justice,” a “genuine concern for the poor,” and that his “sacred duty” is to make all those deeply seated attributes “a reality for your people.”
In other words, she was sort of an Anna Leonowens to his King Mongkut in The King and I. She disapproved of the brutality of his one-man rule, but at the same time she felt that she saw certain “qualities” in him that she found immensely appealing. Of course, many women feel this way about the men they fall in love with, and these feelings are generally the product not of objective intellectual observation but of hormones. One is reminded of the verse of “Something Wonderful,” the tune sung in The King and I by the senior wife, Lady Thiang, as a way of explaining her own love for the bloodthirsty absolute monarch:
This is a man who thinks with his heart,
His heart is not always wise.
This is a man who stumbles and falls,
But this is a man who tries.
This is a man you’ll forgive and forgive
And help and protect, as long as you live…..
Gal Gadot, in explaining her decision to make a movie about the Lisa Howard-Fidel Castro romance, pronounced herself “entranced” by Peter Kornbluh’s “thrilling account of a complicated, fascinating woman…in the midst of a high-stakes, real-life drama.” As Humberto Fontova noted in reporting this story, Gadot appears either to be ignorant of, or to have decided to overlook, “Fidel Castro’s habitual references to Israel as ‘Fascist!’ ‘Nazi!’ and ‘Genocidal!’” Worse than that, Castro “sen[t] tanks and troops to Syria during the Yom Kippur War” in an effort to help “erase Israel.” Castro’s government also sponsored the UN resolution that equated Zionism with racism and that led to the departure of 90 percent of Cuba’s Jews. Fidel, observed Fontova, “drove out a higher percentage of Jews from Cuba than Czar Nicholas drove from Russian and even Hafez Assad drove out of Syria. Yet ‘Miss Israel’ seems as charmed by him as was Lisa Howard.”
One question that will have to be answered when the script for Gadot’s film is written is whether to include her infatuation for Castro’s sidekick Che Guevara. Would that detract from the main love story, or would it make for an engaging subplot and also contribute tension and suspense? One consideration here would be that the gala reception Lisa Howard threw for Che at her glamorous Manhattan apartment while Che was in New York to address the UN would make for a great set piece, like the big party in The Great Gatsby. Imagine the production values! The fact that Che, during that trip, “was also plotting with the Black Liberation Front to blow up the Statue of Liberty” would also add drama.
We began on Tuesday by talking about the Genesis Prize Foundation, which had made the mistake of choosing actress Natalie Portman for what is basically a “friend of Israel” award, only to be kicked in the teeth by Portman because she dislikes Benjamin Netanyahu. After one observer suggested that the accolade should have been presented instead to actress Gal Gadot, she turned out to be capable of envisioning Fidel Castro as the hero of a Hollywood love story. Perhaps the Foundation should shut down entirely and give up on handing out these prizes. Or at least it should stop giving them to Hollywood people. There are, it seems, too many “friends of Israel” in La-La Land whose friendship is woefully conditional and whose attitude toward some of Israel’s worst enemies is altogether unconscionable.