We’ve been working the Useful Stooges beat for a few years now. We’ve been at it so long, in fact, that you might imagine that we’re no longer remotely capable of being shocked by the high levels of self-delusion, evil-worship, and all-around moral depravity of which some of our fellow homo sapiens are capable. On the contrary, even we do the occasional double or triple take.
Consider this story, courtesy of Arik Schneider at Campus Reform. On April 4, David Kunzle, a professor emeritus in art history at UCLA, gave a talk under the auspices of that university’s Department of Religion. In the talk, based on his book Chesucristo: The Fusion Image and Word of Che Guevara and Jesus Christ, Kunzle described Che as a “hero of the Cuban Revolution” and a “quasi-divine cosmic force.” Sharing various artworks in which Che is depicted in Christ-like fashion, Kunzle said that “Che Guevara, once the epitome of armed struggle, has evolved to an avatar of justice, peace, and love, as Jesus always was but no longer is exclusively.” Both Jesus and Che, maintained Kunzle, were leaders of “armed guerilla struggle[s].” Kunzle further stated that “[a]s God created light – is light – Che is radiance” and that his nickname, Che, is a “sacred trinity of letters.”
Now, the fact is that in the half century since his death, images of Che Guevara actually have become iconic. We don’t deny that this makes the topic a legitimate subject of study for historians, social scientists, and students of art. Kunzle might have performed a genuine and multifaceted public service if he had been thoroughly honest about the life, ideology, and actions of Che Guevara, a bloodthirsty murderer who was dedicated to promoting a totalitarian dictatorship, and had provided a legitimate scholarly account of his posthumous transmogrification, on millions of t-shirts, posters, and other objects, into “an avatar of justice, peace, and love.” It doesn’t sound, however, as if Kunzle brought to his UCLA discussion very much in the way of aesthetic judgment, moral perspective, or historical objectivity. Yes, we gather that Kunzle realizes that there is at least some degree of tension between this image and the original reality. But the term “armed struggle” is so insufficient as a means of summing up the totality of Che’s career that it amounts to sheer whitewash. Did Kunzle, one wonders, use the word torture? Did he mention summary executions? Did he say anything whatsoever to indicate an awareness of Che’s profound sadism, the unbridled enthusiasm with which he butchered innocents by the score? Apparently not, especially given that his presentation “was followed by a thirty-minute Q&A period, where some of the attendees mentioned their own visits to Cuba and one faculty member ruminated on his experiences personally meeting Guevara.” The audience, reported Schneider, “appeared to approve of the depiction of Jesus and Guevara, going so far as to call the latter individual a ‘martyr’ in some of their own remarks in the Q&A portion.” It sounds, in short, like a lovefest, a fan club meeting, an exercise in nostalgia for the early days of the Castro Revolution.
Schneider writes that “Kunzle seems to have hosted the talk at least once before, in 2011.” In fact it turns out that his interest in – obsession with? – this topic goes back a long way. Over two decades ago, in 1997-98, the Fowler Museum at UCLA held an exhibition curated by Kunzle under the title Che Guevara: Icon, Myth, and Message. And more than two decades before that, in 1975, Art in America ran an article by Kunzle about Che posters. As for Kunzle’s other writings, their topics include murals celebrating the Sandinista revolution in Nicaragua, art associated with Chilean Communist guerrilla movements, and Soviet film posters. Are you sensing a theme? Then there’s the fact that, in articles and reviews written before the fall of the Iron Curtain, Kunzle, in accordance with preferred Soviet and Maoist usage, routinely referred to Communist tyrannies as “revolutionary” societies and to the nations of the Free World as “bourgeois countries.” His politics, then, are clear enough. And his decades-long attraction to the idea of Che as Jesus is manifest – and, yes, even after all these years, shocking in its utter abhorrence.