How could the Tories have won such a massive victory in the British parliamentary elections? After all, the Labour Party was headed by a man who speaks of Hamas and Hezbollah as “friends”; who has praised Hugo Chavez and his successor as president of Venezuela, Nicolas Maduro; who is a longtime admirer of the Communist regime in Cuba; who is an ardent supporter of the Palestinian cause; and who is widely viewed as a dyed-in-the-wool anti-Semite.
Most sensible observers considered the mass defection of working-class voters from Labour – resulting in that party’s worst showing in an election since the 1930s – a thumbs-up for democracy and patriotism and a rejection of the far left. Not everybody cheered Jeremy Corbyn’s loss, however. In a post-election letter released by a group called the People’s Campaign for Corbyn, over 100 members of Britain’s artistic community, some of them quite high-profile, paid tribute to Corbyn, praising him for his “humanity, courage and insight” and for “raising political awareness in our country to a level not seen since the end of World War II.”
Among the signers of the letter was film director Ken Loach, who, as we noted earlier this year, “has belonged to the Workers Revolutionary Party, the Socialist Workers Party, and the International Marxist Group, has been involved with Jeremy Corbyn and with the bilious Jew-hater George Galloway, has campaigned for a number of boycotts of Israel, and has condemned efforts to address anti-Semitism in the Labour Party.” In 2002, when 11 directors from around the world were asked to contribute a segment to a film, 11’09″01 September 11, about the reactions to the 9/11 atrocities in their own countries, Loach chose to diminish the jihadist attacks by focusing on another September 11 – namely, the US-backed Chilean coup of September 11, 1973, in which the Communist-allied Salvador Allende was ousted and replaced by Augusto Pinochet.
Another signatory was musician Brian Eno, who has a long record of criticizing Israel and whose 1978 song “RAF,” as we noted in 2016, “incorporates ‘sound elements from a Baader Meinhof ransom message made by public telephone at the time of the Lufthansa Flight 181 hijacking.’”
Among the other signers: Nigel Kennedy, a violinist whose onstage image has been compared to that of Liberace and who condemned Israel during an appearance on a BBC Proms broadcast in 2013; Alexei Sayle, a standup comic who, after joining the pro-Soviet Young Communist League in his teens, decided that the USSR was “going soft” and thus switched to Maoism and the Chinese Cultural Revolution, and, at 67, still says he holds to the politics of his youth; and John Rees, a leader of the Stop the War Coalition and of Respect, who at the time of the Iraq War called on his fellow socialists to “unconditionally stand with the oppressed against the oppressor, even if the people who run the oppressed country are undemocratic and persecute minorities, like Saddam Hussein.” In other words, Saddam, apparently by virtue of being a person of color and an enemy of the West, counted as an oppressed person, even if he was, in fact, one of the world’s most notorious oppressors.
Such is the kind of thinking that goes on in the heads of those who lined up to declare their solidarity with Jeremy Corbyn. As unsettling as it is to know that there are so many people with such ideologies in roles of cultural power in the UK, it is comforting to know that ordinary UK citizens, in overwhelming numbers, recognized these views as totalitarian and un-British and rejected them decisively on December 12.
One thought on “Britain’s high-culture Corbynistas”
At times I’ve sympathized with Labour, since they do address some problems the other side will not. But they’ve teamed up with a frightful cast.