Joris Ivens: Stalin’s and Mao’s Riefenstahl

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Joris Ivens

Today, a quick look at Dutch filmmaker Joris Ivens (1898-1989). He started out making short experimental films in which he sought to capture atmosphere, much in the way of an impressionist painter. He also helped establish Amsterdam as an early center of filmmaking, and helped bring directors like René Clair and Sergei Eisenstein to the city.

EH5408P c.1937-1938 Ernest Hemingway with a film cameraman and two soldiers during the Spanish Civil War, 1937-1938. Photographer unknown in the John F. Kennedy Presidential Library and Museum, Boston.
With Hemingway and two soldiers in Spain

Then, in 1929 and again in 1931, he went to the USSR. He was hooked. And he started making propaganda pictures. Song of Heroes (1931), about industry in the city of Magnitogorsk, promoted Stalin’s Five-Year Plan. In 1936 he relocated to the U.S., where the next year he screened his film The Spanish Earth at the White House. The movie, funded by a consortium of left-leaning writers including Lillian Hellman and John Dos Passos, was a paean to the Republican side in the Spanish Civil War. Ivens presented the Republicans as uniformly fighting for liberty – ignoring the fact that many so-called Republicans were, in fact, Marxists who enjoyed the support of the Kremlin and who sought to turn Spain into a Communist satellite of the Soviet Union. It was transparent wartime propaganda, but it attracted the participation of many top-flight talents, including Marc Blitzstein and Virgil Thomson, who composed the music, Ernest Hemingway, who wrote and read the voice-over narration, and Jean Renoir, who did the French-language voice-over.

Three years later, Ivens did the same favor for Mao Zedong that he had for Stalin in The Spanish Earth, releasing a film, The 400 Million, that told the story of the Second Sino-Japanese War, emphazing the contributions of Mao, his compadre Zhou Enlai, and their Communist cohorts while underplaying the role played by Chaing Kai-shek and his anti-Communist Nationalists.

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Frank Capra

In 1943, at the height of World War II, American director Frank Capra (Mr. Smith Goes to Washington, It’s a Wonderful Life), who had been asked by the U.S. War Department to make a series of films entitled Why We Fight, invited Ivens to direct a movie for the series about the Japanese. Ivens was soon fired, however. Why? For (no kidding) making the movie too pro-Japanese.

Ivens left the U.S. in the 1940s, and before long was living in Stalin’s newly conquered and Communized Eastern Europe. During the Vietnam War, he made a couple of pro-North Vietnam documentaries. In 1967, he won the Lenin Peace Prize. And he spent six years in the 1970s making How Yukong Moved the Mountains, a more than twelve-hour account of China’s Cultural Revolution, in which millions were removed from their jobs, torn from their homes and families, tortured, “re-educated,” and/or killed. As it happened, Ivens – by now a profoundly convinced Communist and close friend of Mao and Zhou – thoroughly approved.

It is telling to observe that Ivens’s lifelong cinematic efforts on behalf of Stalin and Mao did not prevent him from being treated in his homeland as a local hero. In 1989, he received a knighthood from the Dutch government. Shortly afterwards, he died. Such was the life of Stalin’s and Mao’s Leni Riefenstahl.

A masterpiece of misinformation

We’ve been looking at Howard Zinn‘s 1980 masterpiece of misinformation, A People’s History of the United States – a book that Daniel J. Flynn has rightly described as a “cartoon anti-history.”

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Howard Zinn

Not one American hero goes unsmeared by Zinn. Not one admirable American action escapes being interpreted by Zinn as having its genesis in the very lowest of motives. American achievements are either ignored or belittled. As Zinn tells it, to quote Rutgers history professor David Greenberg, “The Constitution, the Civil War, the dropping of the bomb on Hiroshima—all were self-serving acts.” Even left-wing historian Martin Duberman, author of a biography of Zinn, has criticized him for treating U.S. history “as mainly the story of relentless exploitation and deceit.” For Zinn, even Pearl Harbor was America’s fault. (People of color can never be the bad guys.)

Nowhere in the People’s History, Flynn points out,

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Down the memory hole: Alexander Hamilton

do we learn that Americans were first in flight, first to fly across the Atlantic, and first to walk on the moon. Alexander Graham Bell, Jonas Salk, and the Wright Brothers are entirely absent. Instead, the reader is treated to the exploits of Speckled Snake, Joan Baez, and the Berrigan brothers. While Zinn sees fit to mention that immigrants often went into professions like ditch-digging and prostitution, American success stories like those of Alexander Hamilton, John Jacob Astor, and Louis B. Mayer – to name but a few – are off the Zinn radar screen. Valley Forge rates a single fleeting reference, while D-Day’s Normandy invasion, Gettysburg, and other important military battles are skipped over. In their place, we get several pages on the My Lai massacre and colorful descriptions of U.S. bombs falling on hotels, air-raid shelters, and markets during the Gulf War of the early 1990s.

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Normandy invasion: quietly omitted by Zinn

In updated editions of the People’s History, we also get a moral equation between the U.S. and the 9/11 terrorists.

In short, Zinn’s book is pretty much an example of wall-to-wall America-bashing. Throughout it, he deep-sixes positive stories, twists good stories into bad ones, and turns heroes into villains. And while doing all this, he does one more very important thing: he takes care not to provide any historical or international context – thereby making it possible for ill-educated readers to come away actually believing that America is a uniquely malevolent country, unparalleled by any other nation past or present.

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Mao: founder of a true “people’s government”

To be sure, every so often Zinn does briefly touch on nations that live under other systems – namely, under Communism. When he turns to these countries, however, he puts on a pair of rose-colored glasses. While describing Chiang Kai-shek’s Nationalist government in China as a “corrupt dictatorship” (which is not entirely incorrect), all he says about Mao Zedong’s rival Communist movement is that it had “enormous mass support” and that, after Mao won the civil war, “China was in the hands of a revolutionary movement, the closest thing, in the long history of that ancient country, to a people’s government, independent of outside control.” Mao’s subsequent murder of tens of millions of his own people goes unmentioned.

FILE - In this July 26, 2006 file photo, Cuba's President Fidel Castro pauses as addresses a crowd of Latin American students gathered in Pedernales, in Holguin province, Cuba, for the anniversary of the attack on the Moncada barracks. As Fidel Castro gets ready to celebrate his 90th birthday on Aug. 13, 2016, many Cubans today openly describe themselves as capitalists, and say time has proven that Castro’s economic ideas do not work. (AP Photo/ Javier Galeano, File)
Fidel Castro: folk hero

Fidel Castro is described in similar terms, as a wildly popular folk hero who “set up a nationwide system of education, of housing, of land distribution to landless peasants.” Zinn entirely omits the negative side of Cuban Communism – the systematic repression, the forced international isolation, the mounting poverty, and the mass executions of regime opponents, intellectuals, journalists, and homosexuals.

We’ll wind this up tomorrow.