Anna Louise Strong, devotee of Stalin

We spent the last three days examining the life of Maurice Strong, the Canadian tycoon who concocted the global-warming scare as a rationale for subordinating democracies to a UN elite with dramatically enhanced sovereign powers.

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Anna Louise Strong

One name that popped up briefly in our investigations into Strong’s life was that of his distant relative Anna Louise Strong. We’d never heard of her before, so we decided to find out about her. What we discovered was that she was a useful stooge of the first water.

Born in small-town Nebraska in 1885, the daughter of a Congregational minister and missionary, she attended Bryn Mawr and Oberlin and earned a Ph.D. in philosophy at the University of Chicago. Moving to Seattle, she became active in local progressive politics and began writing newspaper articles in support of the Russian Revolution, which had just taken place.

In 1921, after attending a lecture about the Russian Revolution by journalist Lincoln Steffens (who was famous for saying about the USSR: “I have seen the future, and it works”), she went to Russia and began writing glowing books about Bolshevism in action. In The First Time in History (1925), which carried a preface by none other than Leon Trotsky, she described Russia as

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Around 1912

the only place in the world where I get a feeling of hope and a plan. With hundreds of thousands of people living for that plan and dying for it and going hungry for it, and wasting themselves in inefficient work for it, and finally bringing a little order out of chaos for it. America seems cheerful and inconsequential after it. Europe, – the insane nightmare of Europe, – seems impossible to endure….

In Russia when they speak of the Revolution, they don’t mean one grand and horrible upheaval; that was merely the “October Overturn,” the taking of power. Now comes the using of power to create a new world through the decades.

Anna_Louise_Strong_NYWTSThere have been many revolutions in history, each with its tragic dignity, its cruelties, its power released. But never has there been a great organisation, in control of the economic as well as of the political resources of a nation, planning steadily through the prose of daily life a future embracing many lands and decades, learning from mistakes, changing methods but not aims, controlling press and education and law and industry as tools to its purpose….This is Common Consciousness in action, crude, half-organised and inefficient, but the first time in History.

stalinStrong spent thirty years in Russia, where she pronounced herself “greatly stirred by the building of the first socialist state in the world.” She “wrote hundreds of articles about it and some fifteen books,” and almost annually “went to America to lecture and make contacts with publishers,” invariably stopping “in other countries on the way.”

Her books on Russia, along with articles for such high-profile publications as The Atlantic Monthly, Harper’s, and The Nation, made her a pretty big name. She lunched with President Franklin D. Roosevelt. She met with Stalin and Molotov. She was a founder of the first English-language paper in Russia, The Moscow News. 

But after years of gushing in print about Soviet Communism, the USSR, for Anna Louise Strong, turned out not to be utopia. That, she found elsewhere. Tune in tomorrow. 

Chris Hedges, morally posturing plagiarist

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Chris Hedges

In our last couple of postings, we’ve pondered the career of Chris Hedges, the self-righteous New York Times journalist turned shrill anti-American polemicist.

What we haven’t touched on yet, however, is a bombshell that hit Hedges’s career in June of last year. In an extensive, carefully researched article in The New Republic, Christopher Ketcham showed that Hedges had “a history of lifting material from other writers that goes back at least to his first book, War Is A Force That Gives Us Meaning, published in 2002.”

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Christopher Ketcham

First, Ketcham told about a piece Hedges had submitted to Harper’s in 2010 that had turned out to contain several instances of “flat-out plagiarism” from a series of articles by Philadelphia Inquirer reporter Matt Katz. When confronted about the similarities, Hedges said he had secured Katz’s permission to borrow from his work; but this turned out to be a lie. A Harper’s fact-checker said that Hedges’s stealing was “one of the worst things I’d ever seen as a fact-checker at the magazine. And it was endemic throughout the piece.” When the fact checker spoke with Hedges, moreover, the latter “was very unhelpful from the beginning, and very aggressive” and tried to “intimidate” him. The fact-checker told Ketcham: “Not only was the plagiarism more egregious than I had seen before, but it was shocking how unapologetic Hedges was when it was put in his face. He got very heavy-handed about it.”

Ketcham summed it up as follows: “A leading moralist of the left…had now been caught plagiarizing at one of the oldest magazines of the left.”

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Petra Bartosiewicz

But the Harper’s piece, it turned out, was only the tip of the iceberg. Passages in Hedges’s book War Is a Force That Gives Us Meaning, which is revered on the left, proved to contain slightly altered passages from Hemingway’s A Farewell to Arms. When a Texas professor brought this to Hedges’s attention, Hedges was, in his words, “dismissive and belittling” – just as he’d been with that Harper’s fact-checker.

There was more: Hedges stole several passages from a Harper’s essay by Petra Bartosiewicz for a Truthdig item; another piece he wrote for Truthdig included a passage about George Orwell and Aldous Huxley that was lifted almost word-for-word out of a work by Neil Postman. (When editors at Salon, where Ketcham’s piece was originally scheduled to run, challenged the editor of Truthdig about all these clear instances of plagiarism, the latter, instead of addressing the alarming facts, accused Salon and Ketcham of trying to damage the reputations of Truthdig and Hedges for “commercial” reasons.) Hedges even stole material from a piece on climate change by fellow Nation writer Naomi Klein. Presented with all these examples of extensive copying, a journalism-school ethics expert told Ketcham they were obviously not just instances of “inadvertent plagiarism…but carefully thought out plagiarism.”

hedges10Hedges, as we’ve seen, represents himself as a media outsider and a lone, fearless voice of truth. Yet Ketcham’s revelations about his serial plagiarism utterly decimated his right to pose as a man of truth. Any ordinary journalist who’d been found guilty of such extensive appropriation of other people’s words would’ve been fired on the spot by any reputable media entity. Yet Hedges’s plagiarism has been shrugged off by The Nation, by Truthdig, and by every other place he writes for.

And that’s not all: Ketchum’s article, as he notes, “first took shape as an investigation for The American Prospect and then for Salon, both of which eventually declined to publish it.” Why? One suspects that neither of those left-wing outlets wanted to cross Hedges. So much for him being a brave and solitary anti-establishment voice of truth – on the contrary, he’s a star in the crown of the left-wing media establishment, which plainly doesn’t care whether he’s an honest man or a thief, so long as he’s ideologically on point.

hedges9aOh well. At least a writer for The Weekly Standard got it, calling Ketchum’s exposé “so detailed, so voluminous, so explicitly damning, that it is difficult to see how any but the most credulous members of the cult can ever take Hedges seriously again.” The Standard writer also lamented the indifference of the editors of The Nation and Hedges’s other outlets to Hedges’s transgressions:

….plagiarism ought to be a capital offense in journalism. It is surely a kind of psychic disturbance in print. Whatever impels writers to steal language from other writers, and publish it as their own, also makes them vulnerable to discovery. Hedges’s demons, which seem so obvious on the page, clearly represent something deeper than politics. The last thing serial plagiarists need is editors willing, in the name of ideology, to ignore their plagiarism.