Baba Wawa & Fidel: a love story?

Okay, so she’s not a full-fledged, 100%, dyed-in-the-wool stooge. As we noted in a posting in December 2016, Barbara Walters was one of perhaps two of the upscale Manhattan guests at Leonard Bernstein’s 1970 Black Panthers fundraiser – the one that Tom Wolfe made famous in Radical Chic – who didn’t drool all over the thugs in a repulsive display of limousine liberalism and nostalgie de la boue. While glamorous folks like high-society bandleader Peter Duchin and New York Review of Books editor Robert Silvers oohed and aahed over the Panthers’ plans for an armed revolutionary overthrow of capitalism, Walters actually asked a sensible question: “I’m talking as a white woman who has a white husband, who is a capitalist, or an agent of capitalists, and I am, too, and I want to know if you are to have your freedom, does that mean we have to go?” No, she didn’t give them a dressing-down and then storm out of the party, but at least she stood apart from fellow guests who looked at the gun-toting gangsters and, somehow, saw angels about to usher in a golden utopia.

Similarly, when she interviewed Fidel Castro in 1977, she at least – to her credit – said on the record that she disagreed with him on “the meaning of freedom.” But that statement came at the end of a nauseating puff piece in which Walters did a marvelous job of presenting the murderous dictator as a world-class charmer. She interviewed him again in 2002. And over the years she spoke frequently about her encounters with the Caribbean tyrant, her main point invariably being that he was, as she told Harpers Bazaar in 2014, “very charismatic – very charming and funny.” (Following his death, she said the same thing:“The word ‘charismatic’ was made for him.) Once her 1977 interview with Fidel was in the can, she recalled, “Castro took us into his kitchen and made us grilled cheese sandwiches.” Walters laughed. “That’s an experience you don’t have anymore.” Adorable! During the same Cuba trip, Walters and Castro “dined outdoors on roast pig and Algerian wine at Castro’s mountain retreat.” It’s good to be the dictator. That night, at least two people in Cuba ate well.

As the Harpers Bazaar writer observed, “One thing that seemed clear to everyone was the chemistry between Walters and Castro.” Walters herself said: “People did tease me after that, asking if this was a romance.” When he dropped her at the Havana airport, “I reached up to kiss him on both cheeks, and he all but pushed me away. It was a friendly European goodbye, but I was in Cuba, not France.” We checked with a couple of friends who’ve been interviewed by major newspapers and TV networks. They say that the reporters who interviewed them didn’t lean in for a smooch at the end of the interchange – not once! Interesting that Castro seemed to understand, as Walters didn’t, that, under such circumstances, osculation (European or not) was unprofessional.

“Cuba is a very different country because of Fidel Castro,” Walters told Harpers Bazaar, “and I don’t know what he is proudest of or what he wishes he could have accomplished.” Proudest of? Accomplished? What planet has this woman been living on for the past half century? Even to think along such lines is to buy into this despot’s propaganda. Looking back on her meetings with Fidel, we’d have loved to see her lean over with a smile, put a hand on his knee, and coo confidentially: “What’s your favorite prison?” or “Whose execution made you happiest?” We certainly wouldn’t expect this fatuous talking head – this purported feminist media pioneer who long ago gave up any pretense of being a real journalist and has spent the last few decades lobbing softballs at airheaded celebrities and chatting about the latest gossip on morning TV – to actually interrogate somebody like Fidel, confronting him boldly about his monstrous crimes, his outrageous hypocrisy, and his blatant propaganda. Instead, Walters parroted his propaganda, echoing the oft-repeated claim that he’d given his people first-rate health care and education. Lies, lies, lies. And although she did, yes, admit that he was an autocrat who’d robbed his people of their freedom, nobody has given Fidel and his regime better press in the U.S. than this silly, overrated woman.

Posted on April 25, 2019April 14, 2019 by usefulstooges 1

Bernstein: after the ball

What the Bernsteins probably did not realize at first,” wrote Tom Wolfe toward the end of his historic 1970 essay “Radical Chic,” was that after Charlotte Curtis’s story about the party at which Leonard and Felicia Bernstein‘s society friends had mingled with Black Panthers was distributed worldwide by the New York Times News Service, it provoked “an international chorus of horse laughs or nausea, depending on one’s Weltanschauung. The English, particularly, milked the story for all it was worth and seemed to derive one of the great cackles of the year from it.” The Times itself – then a very different organ from the paper that currently goes by that name – ran an editorial that harshly criticized the “[e]mergence of the Black Panthers as the romanticized darlings of the politico-cultural jet set,” calling this development “an affront to the majority of black Americans” and charging that the Bernsteins’ party “mocked the memory of Martin Luther King Jr.”

Indeed. Alas, the Bernsteins’ shameless shindig didn’t marked the end of something but its beginning – namely, the birth of a deeply institutionalized practice, on the part of the American cultural, media, and political establishment, of idealizing, credentializing, and rewarding radical race warriors (and, later, pseudo-radical race hucksters, hustlers, and shakedown artists) instead of affording attention and respect to those who have addressed with wisdom and frankness the hard questions about the terrible pathologies afflicting inner-city America. Wolfe’s term “radical chic,” of course, entered the language – and justifiably so, because it perfectly captured the superficiality and faddishness the characterized the support by various cultural elite types for violent movements explicitly dedicated to their death and destruction.

L_Bernstein-1024 — The curtain call at the premiere of “MASS”

In any event, the Bernsteins and their friends soon showed just how shallow their dedication to the Black Panthers was. After Charlotte Curtis’s news article and Tom Wolfe’s essay exposed their folly for the world to see, they scattered like rats. Yes, most of them transferred their loyalty to other harebrained far-left causes – or found other ways to broadcast their moral virtue to the world.

Bernstein, for example, composed “MASS: A Theatre Piece for Singers, Players, and Dancers,” which was performed at the September 1971 opening of the Kennedy Center for the Performing Arts in Washington, D.C., and described by New York Times music critic Harold Schonberg in his review as “a pseudo-serious effort at rethinking the Mass that basically is, I think, cheap and vulgar.” Schonberg might well have been recalling Bernstein’s party for the Black Panthers when he wrote, in his review, that “MASS” was “a very chic affair” that offered “a sentimental response to great problems of our time” by “a musician who desperately wants to be with it.” (At the piece’s climactic moment, a Christian cross is destroyed.)

In later years, Bernstein’s dedication to superficial virtue-signaling persisted: among other things, he lent his strong support to the Kremlin-backed 1980s movement for unilateral nuclear disarmament by the West.

But the Black Panthers? In 1970, after the news of their silly party had traveled around the world, Bernstein and company dropped the Panthers like a hot potato. Not because they had learned anything, not because they had grown wiser, but only because they were more worried about being mocked than about being murdered.

Posted on December 9, 2016October 24, 2016 by usefulstooges 0

Slumming with Lenny

A young Cuban man rides a bicycle in front of the huge apartment blocks in Alamar, a public housing periphery of Havana, Cuba, 9 February 2011. The Cuban economic transformation (after the revolution in 1959) has changed the housing status in Cuba from a consumer commodity into a social right. In 1970s, to overcome the serious housing shortage, the Cuban state took over the Soviet Union concept of social housing. Using prefabricated panel factories, donated to Cuba by Soviets, huge public housing complexes have risen in the outskirts of Cuban towns. Although these mass housing settlements provided habitation to many families, they often lack infrastructure, culture, shops, services and well-maintained public spaces. Many local residents have no feeling of belonging and inspite of living on a tropical island, they claim to be “living in Siberia”. — The imperiled beauty of Havana

Today we might call it slumming. For many of those who’ve lived charmed, safe lives in free countries, there’s something remarkably attractive about the combination of poverty, tyranny, and violence – all those things they’ve never actually experienced themselves. On this site, we’ve written several times about the plaints of various Westerners who fret that capitalism, if and when it’s truly and fully implemented in Cuba, will destroy the “magic” and “charm” of that ruined, broken-down country. They wouldn’t want to live there themselves, of course, but they find it thrilling to know that all that glamorous destitution and oppression is only a few hours’ plane ride away.

Naturally, what makes it thrilling for them rather than terrifying is the knowledge that, after paying a visit to the place, they can fly back to New York or L.A. or London and resume their lives in a free, prosperous society. In the same way, Leonard Bernstein could stand in his own luxurious Park Avenue apartment, surrounded by his rich friends, and listen with equanimity while leaders of the Black Panthers explained their plans for destroying American democracy and replacing it with a dictatorship by them.

For Bernstein and many of his chums, a kind of doublethink (to borrow Orwell’s useful term) seems to have been operating in this particular instance. Even as they pledged money to help bring on the Panthers’ revolution, they couldn’t really imagine any such revolution happening. Or else their wealth and privilege had bred in them such utter confidence in their own unshakable security that they believed that they, personally, would somehow be magically exempt from the Reign of Terror that would surely follow any successful revolt by these bloodthirsty Maoist rebels.

Tom Wolfe, in his classic 1970 essay “Radical Chic” (which we’re talking about this week), quoted a guest at one of the Black Panther soirées as saying about one of the thugs: “He’s a magnificent man, but suppose some simple-minded schmucks take all that business about burning down buildings seriously?” To these moneyed Manhattanites, the “schmucks” were those who actually took the Panthers at their word; they themselves, in their own view, were infinitely more sophisticated, choosing to interpret the Panthers’ rhetoric as – what? – a kind of poetry? A fanciful vision of murderous revolution that would, in reality, be manifested as an eminently sensible program of rational reform?

To be sure, not all of Bernstein’s gilded guests were entirely complacent or deluded. Movie director Otto Preminger challenged one Panther’s claim that America’s government was the most repressive in the world. Barbara Walters expressed concern about her fate in a post-Panther Revolution America: “I’m talking as a white woman who has a white husband, who is a capitalist, or an agent of capitalists, and I am, too, and I want to know if you are to have your freedom, does that mean we have to go!” But both of them stopped short of standing up and leaving in disgust. Preminger, indeed, after berating one of the Panther leaders, made a point of shaking the would-be mass murderer’s hand to show there were no hard feelings.

We’ll finish up with this tomorrow.

Posted on December 8, 2016October 24, 2016 by usefulstooges 2

Bernstein’s noble savages

Jean-Jacques_Rousseau — Jean-Jacques Rosseau

The belief that primitive peoples are naturally endowed with goodness and purity, and that civilization poisons these attributes, is as old as civilization itself. The idea is embodied in the term “noble savage,” which first appeared in a 1672 play by John Dryden. The Enlightenment philosopher Jean-Jacques Rousseau (1712-78), whose views helped shape modern Western thought, routinely sang the praises of primeval man, untainted by what he saw as the decadence of civilization. During the Romantic Era of the late 1700s and early 1800s, authors, poets, and painters all over Europe depicted in an idealized way the lives of unlettered, uneducated men whom they saw not only as living in nature but as parts of nature themselves, as pure as the country air they breathed or the unpolluted streams from which they drank.

Back then, many a European aristocrat embraced romantic images of the native peoples of the Americas, Asia, and Africa; more recently, authors like Kirkpatrick Sale, in books like Sale’s The Conquest of Paradise: Christopher Columbus and the Columbian Legacy (1990), have proffered the puerile fantasy that before European voyagers found their way to what they arrogantly called the New World, the natives led lives of peace and harmony, enjoying a rare bliss that the newcomers replaced with cruelty and destruction.

Plainly, this is a mentality that was much in evidence at the Leonard Bernstein party immortalized by Tom Wolfe in his essay “Radical Chic.” For Bernstein and many of the moneyed celebrity friends whom he invited to his home on the evening of January 14, 1970, the Black Panthers who were the party’s special guests were just that – noble savages. It was an offensive attitude, a racist attitude, a patronizing attitude – an attitude, in fact, that enabled them to belittle the very real danger that the Panthers obviously represented. In his essay, Wolfe quotes a “Park Avenue matron” who, at one of the pre-Bernstein “Radical Chic” parties, exclaimed about the Panthers: “These are no civil-rights Negroes wearing gray suits three sizes too big—these are real men!”

bernstein1 — Felicia Montealegre, Richard Bernstein, and Black Panther Field Marshal Donald Cox

In other words, they weren’t drab, dull, law-abiding middle-class blacks – they were real-life noble savages, embracing their nobility and their savagery! Such views on the part of Bernstein’s movers and shakers, needless to say, represent prejudice at its ugliest – prejudice dressed up as sensitivity and tolerance.

Among the Black Panthers who attended the Bernsteins’ fête that night were Robert Bay, who only a couple of days earlier had been arrested in Queens on a gun charge; Don Cox, the group’s Oakland-based “Field Marshall,” Henry Miller, its “defense captain,” and Ray “Masai” Hewitt, its Minister of Education and a member of its Central Committee.

Also present was lawyer Leon Quat, who at the moment was busy defending no fewer than twenty-one Black Panthers who, as Wolfe noted, “had been arrested on a charge of conspiring to blow up five New York department stores, New Haven Railroad facilities, a police station and the Bronx Botanical Gardens.”

Mingling with these criminals in the Bernsteins’ thirteen-room Park Avenue duplex were such nabobs as high-society bandleader Peter Duchin, CBS president Frank Stanton, popular songwriters Sheldon Harnick (Fiddler on the Roof) and Burton Lane (Finian’s Rainbow), New York Review of Books editor Robert Silvers, and the wives of such eminences as chic photographer Richard Avedon, film director Arthur Penn, and singer Harry Belafonte. Wolfe quoted Cheray Duchin, spouse of the bandleader, as telling society columnist Charlotte Curtis, who would break the story of the party in the next day’s New York Times: “I’ve never met a Panther—this is a first for me!”

More tomorrow.

Posted on December 7, 2016October 24, 2016 by usefulstooges 1

Bernstein’s Maoists

Last year, we wrote here about a garden party held by fashion designer Stella McCartney (Paul McCartney’s daughter) at her Manhattan home. The theme was “Cuba Libre.” High-profile guests, such as Maggie Gyllenhaal, Alicia Keys, and Liv Tyler, enjoyed Cuban treats and snapped selfies with two actors who’d been hired for the occasion to dress up as Fidel Castro and Che Guevara.

The Hollywood Reporter, Women’s Wear Daily, Vogue, and other major media found the whole thing just adorable; so did one after another of the leading fashion websites. One discordant note was sounded by Anna Quintana, a young Cuban-American style writer, who lodged this complaint: “I find it hard to process how a designer I have long admired…could feature a garden party with walking caricatures of Castro and Che Guevara, two figures that many, if not all, in the Cuban-American community would consider to be the epitome of cruelty.”

Why, indeed, would Stella McCarthy, who has spent her entire life enjoying all the privileges afforded to the daughter of the world’s richest musician, celebrate monsters like Fidel and Che, who, if her father had been Cuban, would likely have thrown him in prison or put him in front of a firing squad?

In his classic 1970 article “Radical Chic,” which we began looking at yesterday, Tom Wolfe identified the attraction of the cultural elite of forty-five years ago to totalitarian thugs like the Black Panthers – who sought to overthrow the U.S. government and replace it with a system just as brutal as Castro’s – as an example of nostalgie de la boue. Meaning what? Literally: “nostalgia for the mud.” The term refers to the attraction of many foolish people at the top of the ladder to those at the bottom of the ladder – and not just any of those at the bottom (certainly not the hard-working, law-abiding drudges), but those whom the people at the top view as the most exotic, colorful, violent, primitive, dangerous.

On May 2, 1967, Black Panthers amassed at the Capitol in Sacramento brandishing guns to protest a bill before an Assembly committee restricting the carrying of arms in public. Self-defense was a key part of the Panthers' agenda. This was an early action, a year after their founding. — The Black Panthers held their own soiree on May 2, 1967, at the State Capitol in Sacramento

At this site, we’ve touched before on the Black Panthers – and on the perverse eagerness of many decent, civilized people to makes heroes out of them.

Last December, discussing a documentary about the Panthers by Stanley Nelson, we noted that the movie was nothing less than a group hagiography, presenting the Panthers as (in our words) “an endearing crew of human-rights activists who were devoted to charity work and whose repeated clashes with police reflected not any predilection to violence on their own part but the cops’ ferocity and racism.” The film’s cockeyed portrayal of the Panthers won cheers from film-festival audiences and from reviewers for places like the Hollywood Reporter.

It was Michael Moynihan of The Daily Beast who provided a reality check, pointing out that the Black Panthers, guided by “the revolutionary works of Marx, Engels, Lenin, Stalin, Chairman Mao, Comrades Kim Il Sung, Ho Chi Minh, Che, Malcolm X, and other great leaders of the worldwide people’s struggle for liberation,” were responsible for innumerable “revenge killings, punishment beatings, purges, [and] ‘disappearances.’” In their official newspaper, they ranted about “racist imperialist faggot honkey[s],” ran paeans to Stalin, Mao, Kim Il-Sung, and Albanian dictator Enver Hoxha.

And yet the crème de la crème of New York’s beau monde invited these people into their houses and dug into their pockets to contribute to their “cause.” How to make sense of it? Tune in tomorrow.

Posted on December 6, 2016December 6, 2016 by usefulstooges 0

East Side Story

Leonard_Bernstein_NYWTS_1955 — Leonard Bernstein, 1955

Leonard Bernstein (1918-90) was a genius – a profound, remarkably versatile genius. He was arguably the first world-class American symphony conductor, waving his baton at the New York Philharmonic from 1958 to 1969 and serving as guest conductor of other major orchestras around the world. He was a gifted composer of classical music – producing innumerable symphonies, operas, chamber works, choral works, and even a Mass.

He composed the background music for On the Waterfront, which won the Academy Award for Best Film of 1954. He supplied the tunes for such classic Broadway shows as On the Town, Wonderful Town, and West Side Story, including such standards as “Some Other Time,” “Tonight,” and “I Feel Pretty.” He penned several absorbing, illuminating books about music for the general reader. And he hosted a series of network television programs that did a truly brilliant job of introducing young people to serious music.

But he could also be a fool. In the years after World War II, his close ties to several Soviet front groups led the FBI to pay close attention to his activities. Ultimately, the FBI concluded that he was just a naïf, not a Communist. Yet what a naïf! Tom Wolfe proved, once and for all, in a deathless 25,000-word article entitled “Radical Chic: That Party at Lenny’s,” just what a naïf Bernstein was. Indeed, he was not just any naïf – he was the naïf whose naïveté, thanks to that brilliant June 1970 cover story for New York Magazine, became the very archetype of late Sixties and early Seventies liberal-establishment naïveté in the face of the trendy revolutionary politics of the day.

Wolfe’s article, as the title itself indicates, was all about a party. Specifically, a party at Bernstein’s “13-room penthouse duplex on Park Avenue,” where he lived with his wife, Felicia Montealegre. It wasn’t just any party. Held the previous January, it was, in fact, one of a series of parties thrown by various members of the Manhattan haute monde so that their hoity-toity friends could meet, mingle with, and contribute money to various radical-left groups.

This was a time, it should be remembered, when many prominent, privileged members of the American Establishment were getting their jollies, perversely, by identifying with fanatics who were hell bent on bringing down that Establishment and crushing its privileges. It made no logical sense.

But it happened. Only a week before the Bernsteins’ party, film director Sidney Lumet (12 Angry Men, The Verdict) had held a soirée for the Black Panthers. A week earlier, a prominent publisher had also hosted the Black Panthers. Jean vanden Heuvel, a.k.a. Jean Stein, the socialite mother of current Nation publisher Katrina vanden Heuvel, had welcomed the Chicago Eight rioters to her home; a week after the Bernstein bash, philanthropist Eleanor Guggenheimer would hold a get-together for the Puerto Rican radical group the Young Lords.

These upper-class hosts and hostesses were all, in their various ways, useful stooges, aiding and abetting some of the most virulent, totalitarian-minded enemies of the free, democratic capitalist societies in which they themselves had thrived. But thanks in large part to Wolfe’s article, Bernstein became the very personification of that memorable historical moment when the “smart set” showed its very stupid side. More tomorrow.

Posted on December 5, 2016October 24, 2016 by usefulstooges 0

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Tag: “Radical Chic” (Wolfe)

Baba Wawa & Fidel: a love story?