Getting rich on rage

Rage against the Machine

Founded in 1991, the rock band Rage Against the Machine has broken up and reunited several times over the decades. Most recently, the group disbanded in 2011, only to come back together last November for a world tour that will begin next month and continue through September. With a total record sales of around 16 million, Rage is perhaps as well known for its politics as for its music.

That music has been described as everything from “punk” to “hip hop” to “hard rock” to “nu metal.” There is less confusion about the nature of the band’s politics. They are radical, although even that word doesn’t quite do it. The four band members – singer Zack de la Rocha, bassist Tim Commerford, guitarist Tom Morello, and drummer Brad Wilk – are so revolutionary in their political views that sometimes it can seem as if these guys have spent the last three decades doing a brilliant parody of ignorant rockers who live in mansions and ride in limousines all the while thinking of themselves as courageous insurrectionists on the barricades.

EZLN flag

But you’ve got to give them credit for a certain degree of originality. While other politically active showbiz folk focus on issues like gun control and global warming, Rage against the Machine celebrates the cause of the Zapatista Army of National Liberation (EZLN), a far-left group of indigenous Mexicans and their allies that has technically been at war with the Mexican government for many years, but that has long controlled much of the state of Chiapas with the government’s tacit acceptance. (Last August, when the Zapatistas expanded the area under their control, President Andrés Manuel López said that this was just fine, so long as they exerted their authority without violence.)

Rage’s song “People of the Sun,” which appears on the band’s 1996 album Evil Empire, is about the Zapatista cause. The cover of the single features an image of a sickle, an ammunition belt, and a corn cob that is suggestive of the Soviet hammer and sickle. Rage’s YouTube page features an interview with a gun-toting Rafael Sebastián Guillén Vicente, a Maoist, children’s book author, and former philosophy major at the National Autonomous University of Mexico who, under the noms de guerre Subcomandante Insurgente Marcos and, more recently, Subcomandante Galeano, is the Zapatistas’ longtime spokesperson. In the areas of Chiapas under Zapatista control, images of Subcomandante Galeano alongside Che Guevara and the Mexican Revolutionary hero Emiliano Zapata are apparently ubiquitous.

So devoted is Rage to the Zapatistas that the band flies the insurgents’ flag at its concerts. But the EZLN isn’t the band’s only cause. More about that to come.

The man who’s even too radical for The Nation

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Bob Avakian

Yesterday we met septuagenarian Bob Avakian, who’s spent his adult life as a Communist radical. Since 1975, he’s been head of the Revolutionary Communist Party, USA (RCP), which holds aloft the torch of Josef Stalin and Mao Zedong – and, not least, of Avakian himself, who has striven to make himself the center of a personality cult modeled on those of Stalin, Mao, Fidel Castro, Ho Chi Minh, and the Kims in North Korea.

Cornelius Pettus, owner of Payless market, throws a bucket of water on the flames at next-door business Ace Glass on 4/30/1992. Hyungwon Kang / Los Angeles Times.
An image from the 1992 L.A. riots

A high point for the RCP was the 1992 race riots in L.A., in which party members – who had relocated from Massachusetts to southern California for the purpose – sought to stir up racial discontent and transform it into full-fledged revolution. That’s not all. One reporter has conclude that in the 1990s, the RCP probably “penetrated the underground punk rock world” and even “owned a punk rock club in Houston.” In a 1994 interview with SPIN, Tom Morello, the lead guitarist of Rage against the Machine, apparently recommended an RCP bookstore and “vigorously” defended Shining Path – leading one to wonder whether Morello had fallen under the influence of Avakian and company. Another punk group, Outernational, featured RCP spokesman Carl Dix in a music video. The cultivation of celebrities and the effort to develop a personality cult around the founder are among the things that can make the RCP look very much, at least from some angles, like Scientology.

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Michelle Goldberg

After a period of relative quiescence, the RCP jumped back into action after 9/11, becoming a major behind-the-scenes player in such antiwar groups as Not in Our Name and ANSWER. One antiwar group, The World Can’t Wait, appears to have been “entirely a creation of the party.” All these groups, notes Gram Slattery, “managed to rise to prominence in large part because few people actually knew of their affiliation with the revolutionary left.” Even a columnist for The Nation, Michelle Goldberg, had harsh words for the RCP, writing in 2002 that its members “aren’t just extremists in the service of a good cause – they’re cheerleaders for some of the most sinister regimes and insurgencies on the planet.”

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Todd Gitlin

Goldberg wasn’t alone in her criticism: over the years, Avakian gradually came to be viewed by many on the left at as something of a relic, an oddball, and an embarrassment to the movement. A decade or so ago, Todd Gitlin, the prominent sociologist and former SDS leader, cited him as an example of “the ludicrous feebleness of the unreconstructed left.” But while Avakian may be a bit of a clown, he’s no fool: a few years back he managed to get plenty of well-known academics to sign a New York Review of Books ad defending his right to free speech – even though nobody was trying to deprive him of free speech.