Lindy West, intersectional victim

We saw on Tuesday that New York Times contributor Lindy West is preoccupied with her status as a woman – and thus a member of a certified victim group. We’ve seen her beat up on male comics for daring to tell jokes that (she claims) hurt her feelings as a woman.

Lindy West

But she also belongs to another victim group. In a May 2016 piece for the Guardian she writes about being fat. Just as she doesn’t like the way men treat women, she doesn’t like the way non-fat people treat fat folks. Fat people are “infantilise[d]” and “desexualise[d].” They are viewed as “helpless babies enslaved by their most capricious cravings.” They “don’t know what’s best for them.” They “need to be guided and scolded like children.”

But of course fat women have it worse than fat men. Intersectionality, you see. Society, she argues, has a “monomaniacal fixation on female thinness.” Having started off talking about being fat, she takes a detour into the topic of being female:

Women matter. Women are half of us. When you raise women to believe that we are insignificant, that we are broken, that we are sick, that the only cure is starvation and restraint and smallness; when you pit women against one another, keep us shackled by shame and hunger, obsessing over our flaws, rather than our power and potential; when you leverage all of that to sap our money and our time – that moves the rudder of the world. It steers humanity toward conservatism and walls and the narrow interests of men….

And so on. This sort of thing, of course, writes itself. There is nothing new here. West seems to think she is some kind of oracle, but in fact she is nothing more than a fount of cliches on the subject of group victimhood.

James Gandolfini as Tony Soprano

Anyway, she then returns to the subject of being fat. She’s been fat all her life. She doesn’t see it as a health issue, or a matter of self-control. No, it’s all about prejudice and the male gaze.

“The ‘perfect body’ is a lie,” she writes. “As a kid,” she complains, “I never saw anyone remotely like myself on TV….There simply were no young, funny, capable, strong, good fat girls. A fat man can be Tony Soprano, he can be Dan from Roseanne [a character played by John Goodman]….But fat women were sexless mothers, pathetic punch lines or gruesome villains.”

What? What about Roseanne herself? She’s not all that heavy now, but back when her sitcom was first on TV, she was at least as big as Dan. And her character was the very definition of funny, capable, strong, and good. 

Roseanne, in her own overweight days

West proceeds to carry out a rather jejune survey of fat females in popular culture. It’s not worth going into here. The point is that when West writes about being fat, it’s entirely about being a victim.

As one reader comment on her piece put it: “We need to find ways of curing the obesity epidemic…instead of going on about fat being beautiful and obesity not being an issue at all.”

Aziz Ansari

Lindy West writes a lot, but pretty much everything she’s written is a version of the couple of pieces we’ve discussed here. For example, we’ve already seen West slam male comics for sexism; on January 1 of this year, the New York Times ran an item by West in which she called out stand-up comedian Aziz Ansari for a recently reported date-gone-wrong episode in which he had behaved in a tasteless, immature manner, although his conduct fell far short of rape. We’ve seen her go on about being fat; well, in July 2015, the Guardian ran a piece by her headlined “My wedding was perfect – and I was fat as hell the whole time.” Subhead: “As a fat woman, you are told to disguise, shrink or flatter your body. But I wasn’t going to hide at my wedding – the older I get, the harder it is to depoliticise simple acts.” Like most of her work, that essay went on forever, even though everything she had to say was in the headline and subhead.

Ricky Gervais

It goes on. Want more about sexism? Writing in the Times this year on the day before the Academy Awards ceremony, West complained about the depiction of women in Hollywood films and cheered the #metoo movement. Want more about how nasty male comics are? On March 28 she resumed whining about members of that profession, this time singling out Ricky Gervais. Headline: “The World Is Evolving and Ricky Gervais Isn’t.” Evolving in what way? Well, in the sense that more and more white men are taking orders from scolds like Lindy West. West sneered at those who worry about politically correct censorship on campus, who use the word “snowflake” to label people like herself who are constantly calling out supposed acts of verbal oppression, and who claim to be defending free speech. “What they’re actually reacting to,” West insisted, “is the message deep at the heart of the March for Our Lives, of Black Lives Matter, of the Women’s March: The world is bigger than you, and it belongs to us too.”

Mao Zedong

Needless to say, this is stupid stuff – pure ideological claptrap. Empty calories. But its stupidity doesn’t keep it from also being scary stuff. Idiots like Lindy West, who are incapable of thinking past these trendy categories, slogans, and buzzwords, are little more than would-be Thought Police, the contemporary heirs of the engineers of Mao’s Cultural Revolution. Thanks to people like West, more and more first-class comedians are deciding not to perform at colleges, because they know that any joke that isn’t tame and PC will be greeted with groans, protests, or much worse. Thanks to people like West, more and more high-school boys are deciding against going on to college, because the atmosphere at American colleges has become toxically anti-male. And the poison that has already infected campuses is quickly spreading, thanks to the likes of West, into the general culture – making the free exchange of ideas very difficult indeed, and turning real humor into a crime.

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